Choreographer Twyla Tharp on the usefulness of failure

In this month's Harvard Business Review, editor Diane Coutu interviews choreographer Twyla Tharp (free link), creator of avant-garde dances as well as the Broadway show "Movin' Out." Tharp mentions some important thoughts on failure.

If you do only what you know and do it very, very well, chances are you won't fail. You'll just stagnate, and your work will get less and less interesting, and that's failure by erosion. True failure is a mark of accomplishment in the sense that something new & different was tried. Ideally, the best way to fail is in private.... I have also sometimes failed in public, and that's very painful. But failing, even in this way, is not useless. It can force you to get yourself together and to produce something new.

From The Mistake Bank

art, creativity, learning, failure, Mistake Bank, Harvard Business Review

How is the Getty Museum different from Enron?

It's not a trick question. There may be little difference at all. The Getty is one of several museums that have been accused of systematically acquiring stolen antiquities. (The Getty last year agreed to return forty disputed works to the Italian government.) In today's New York Times, an article states that staffers at two other LA-area museums knowingly engaged with smugglers wishing to sell antiquities to the museums.

But there's one difference I see. The Enron spectacle played out on the front pages of the nation's newspapers. Today's Times article led off the Arts section. The Enron conspirators received sentences of twenty years or more in prison. By contrast, there seems to be little appetite to "make an example" of those associated with trafficking in smuggled artworks (charges were dismissed against the main figure in the Getty case, though other charged remain open).

Why the double standard? Why is buying smuggled artwork less odious than defrauding shareholders? Are curators somehow too classy to engage in criminal behavior?

Or is that no one cares about fraud in the narrow niche called the art world?

(Photo: a disputed funerary wreath returned to Greece by the Getty Museum in 2006, from Agence France Presse via the Guardian)

art, fine art, crime, New York Times